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Quiet Houses Simon Kurt Unsworth 9780983624516 Books

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Quiet Houses Simon Kurt Unsworth 9780983624516 Books

I recently read Hauntings, an anthology of ghost stories, and I thought Unsworth's story about the Pennine Tower Restaurant was by far the standout tale. I'd never heard of Unsworth, so went scurrying off to find more of his work. I was delighted to find that Quiet Houses was very much in the same vein as the story I'd read -- spooky happenings in very real-feeling locations, all tied together in this case by a supernatural detective character. Although the set-up might seem constraining, the stories in Quiet Houses offer a nice variety, from a ghost that inflicts people with the emotion of pure misery to an experiment that induces a series of hauntings in a brand-new model home. Many of the stories are very effectively creepy although some are stronger than others (the haunted lavatory didn't impress me), and Nakata the detective is an appealing character, much less silly than his forebears like Carnacki. I was also impressed to find that the framing story had its own plot, which advanced through the stories. We even get a run-down of the most widely held theories about ghosts.

The book ends with a delightful author's note identifying the real-world locations that inspired the story settings. There's also a note that we can expect more Nakata stories -- I certainly hope so!


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Quiet Houses Simon Kurt Unsworth 9780983624516 Books Reviews

I just couldn't get into the stories. None of them were scary or creepy. I love short stories, but this didn't deliver.
A well written series of connected stories featuring an academic researcher of parapsychology. There's a decent helping of horror, but tinged with sadness, anger and regret. The unearthly mixed with quite earthly emotions. Stories include "The temple of repose and ease" (a haunted lav), and an experiment to create a ghost.
I had a one-word response to reading Simon Kurt Unsworth's collection of short fiction hallelujah! At last there's a horror writer out there who understands that the deliciously slow build-up of dread is more important than startle-scares or gore, that the subtle suggestion of something terrifying is more satisfying than lurid description. Thank you, Mr. Unsworth, for giving us long-suffering fans of haunted house fiction something to cheer about. Keep up the great work! (And maybe do a novel next...?)
I am not a critic so don't hold your breath. I will simply state this very well done! That and I am looking now to other things this gentleman has written. "Quiet Houses" blended perfectly with good scotch, a decent cigar and a grand twilight sunset over the great Rocky Mountains. That and I didn't dare read it on a night at the Stanley Hotel.
I started this book at night and didn't put it down until I was finished in the morning. However, I swear that was my twin you saw looking over her shoulder in fear as she was creeping back to bed from the kitchen with a snack. It was also my twin who nearly reverted back to a toddler who made her dog escort her to and from the bathroom. Not me......nooo!
I wasn't familiar with this author but decided to gamble and buy this and I'm glad I did. This is a fabulous collection of understated ghost stories by an author in full control of his craft. All the stories are related and build to a whole, a fact that made them even more interesting to me. Who is the mysterious Mr. Nakata? Who is he working for and what is his agenda? What happened in Nakata's past? Most--but not all!--of the reader's questions will be answered by the time the last page is turned. The author has said that he likes Nakata and may bring him back. I hope so, because I thoroughly enjoyed this creepy book as it slowly wound its way along. A must for lovers of ghosts and creepy old houses!
Originally appeared on my blog, The Arkham Digest.

In the afterword to Quiet Houses, author Simon Kurt Unsworth refers to the book as a two-fold experiment; an attempt to write intertwined stories in order to create a written portmanteau, as well as an attempt to utilize personal and familiar real-life locations as the settings for all the stories. Although some of the places in the stories are fictional, they are heavily based on real places, and the afterword does a great job of breaking down each location, going into their importance to Unsworth and the reasons he chose them. The final product of this experiment, although not perfect, could only be called a success.

Quiet Houses opens with an advertisement "Do you live in a haunted house? Have you ever been to a place and had an experience that you cannot explain? Do you have a story to tell? Serious researcher wants to hear from you. Must be prepared to go on record. No timewasters. Tel 01524 500501 ext 23 and leave a message." The book follows paranormal researcher Richard Nakata's investigations into alleged hauntings and is broken up into two different types of chapters short "in-between" chapters which set the stage for Nakata's imminent investigation, and the larger chapters which detail the incidents themselves. Structurally, this works rather smoothly. The interlude chapters are short enough to set the stage without lingering too long, and work nicely as the cement that holds all the individual stories together.

Which brings us to the stories themselves. Each of these chapters is titled after a place, and although the earlier parts of the book continue with the premise of Nakata gathering stories from others, it isn't long before the chapters are of Nakata himself having experiences instead. Nakata's chapters are, unfortunately, the mixed lot of the bunch. I found that the four larger chapters featuring him were split; the first two (Beyond St. Patrick's Chapel, Heysham Head and The Temple of Relief and Ease) failed to resonate within me like the others in the book, while I found the final two (24 Glasshouse, Glasshouse Estate and Stack's Farm, Trough of Bowland) to be essential and very climactic. The first two chapters follow Nakata as he explores two areas that came to his attention. Although they have their moments, and I would still consider them to be good examples of storytelling, I felt that they were the weaker chapters of the book. The final chapters are the ones that truly tell Nakata's story. 24 Glasshouse explores Nakata's past, detailing a very important part of his life that will shape the Nakata of the present, while Stack's Farm is where all threads of the story culminate in a truly frightening and enlightening manner.

The three other chapters, which are the experiences related to Nakata by others, absolutely shine from a horror perspective, although their delivery varies in style. In the first of these larger chapters, a sad, older man tells Nakata his tale about The Elms Hotel in a cafe. The Elms takes place in the present, as a conversation in the cafe. The reader is able to follow Nakata's growing discomfort as the man's ghost story is told. The chapter is quite chilling, and makes for an excellent opener. The second of these chapters, The Merry House, is presented as a letter, and reads in the first person. This narrative shift, cutting out Nakata completely, makes for a more immersive reading experience. Instead of seeing Nakata's reactions, readers are now reading the letter for themselves, allowed to come to their own conclusions. This is also, without a doubt, the most terrifying story in the book, and goes way beyond being a ghost story. The third of these chapters, The Ocean Grand, is another story about a hotel, although this eschews despair for blood and action. Three men (self-dubbed the "Save Our S*** Crew") spend a few days camped within the long-closed, Art Deco style Ocean Grand Hotel, where they will appraise what art can be saved and restored. The narrative style of this story takes another turn by switching back to third person, however unlike the first chapter Nakata is not present in the telling and the story only focuses on the three men involved. The story itself is great, but this narrative choice is a bit jarring, as it's not clear until the end which character is the narrator introduced in the preceding interlude chapter, where he is not named. I believe this was intentional on Unsworth's part, as readers know going into the story that two of the men don't make it, and by withholding the name of the narrator Unsworth makes sure that the uncertainty and tension continue until the end.

Overall, Unsworth has succeeded in his quest to make a horror portmanteau. The majority of the stories in Quiet Houses stand strong, and the interludes threading them together work exceptionally well. I think I would have liked to see more stories related to Nakata by others, as I thought those were the best. As a whole though, I can't really complain because it came together so beautifully in the end. In the afterword Mr. Unsworth states, "I like Nakata; he'll be back." I can only look towards that day with eager anticipation.
I recently read Hauntings, an anthology of ghost stories, and I thought Unsworth's story about the Pennine Tower Restaurant was by far the standout tale. I'd never heard of Unsworth, so went scurrying off to find more of his work. I was delighted to find that Quiet Houses was very much in the same vein as the story I'd read -- spooky happenings in very real-feeling locations, all tied together in this case by a supernatural detective character. Although the set-up might seem constraining, the stories in Quiet Houses offer a nice variety, from a ghost that inflicts people with the emotion of pure misery to an experiment that induces a series of hauntings in a brand-new model home. Many of the stories are very effectively creepy although some are stronger than others (the haunted lavatory didn't impress me), and Nakata the detective is an appealing character, much less silly than his forebears like Carnacki. I was also impressed to find that the framing story had its own plot, which advanced through the stories. We even get a run-down of the most widely held theories about ghosts.

The book ends with a delightful author's note identifying the real-world locations that inspired the story settings. There's also a note that we can expect more Nakata stories -- I certainly hope so!